Series creator Jason George based the new Netflix series Into the Night on a 2015 Polish science fiction novel.

The glorious sight of the sun's rays peeking over the horizon as it rises has inspired mankind for millennia. But what if the sun brought death, literally killing people where they stand? That's the premise behind the pulse-pounding Belgian science fiction drama, Into the Night, that recently debuted on Netflix. It's a fast-paced, engrossing, and enormously entertaining series that will definitely leave you wanting more.

(Some spoilers below, mostly for the novel.)

The series is based on a 2015 novel called The Old Axolotl, by the visionary Polish science fiction writer Jacek Dukaj, who has been compared to his compatriot, Stanislaw Lem. The novel exists entirely in digital format, designed to be read solely on tablets, smartphones, e-readers, and computers. While most e-books simply recreate the printed text in an electronic medium, Dukaj designed his novel to be something more.

There's the central narrative text, of course (more about that below), but much of the background information—the traditional world-building, if you will—is contained in detailed footnotes, which readers can access via hyperlinks. There is also a lot of multimedia incorporated into the book, including stunning illustrations by Maciej Panasiuk (you can see some of them here), and 3D-printable designs and diagrams for futuristic robots depicted in the novel.

The Old Axolotl opens on a typical day on Earth, until a mysterious "neutron wave" sweeps across the globe, instantly killing every living thing (all organic life) in its path. A very few people had just enough time to upload their consciousness into a virtual reality game called InSoul3—essentially Second Life (it's an outdated and unpopular gaming platform before the catastrophe). Those who survived beyond the immediate upload managed to jump into so-called "mechs." They are, in essence, machines merged with human consciousness, albeit an incomplete version of that consciousness. They are something new.

On the face of it, the novel fits right into the current TV landscape, where recent shows like Westworld, Altered Carbon, Devs, and even the new comedy Upload, have all explored the same fundamental theme of what it means to be a human, as compared to, say, a machine or AI/avatar with human consciousness. But do we really need a Belgian version of those shows?

In the case of Into the Night, the answer is yes, although what makes it so utterly compelling is the fact that it focuses entirely on the moments before and immediately after the initial catastrophic event, following a small group of people just trying to survive. That makes it almost a prequel to Dukaj's novel. (Dukaj served as an executive producer on the show.) Per the official premise: "Passengers and crew aboard a hijacked overnight flight scramble to outrace the sun as a mysterious cosmic event wreaks havoc on the world below."

  • This plane is about to become a lifeboat for its passengers. Netflix
  • Sylvie (Pauline Etienne) is grieving and nearly misses her flight. YouTube/Netflix
  • Social influencer Ines (Alba Gaïa Bellugi) starts seeing some worrisome signs on her phone. Netflix
  • People are dropping dead where they stand YouTube/Netflix
  • A desperate NATO officer, Terenzio (Stéfano Cassetti) hijacks the plane and forces it to take off. Netflix
  • Co-pilot Mathieu (Laurent Capelluto) urges everyone to remain calm. YouTube/Netflix
  • Now can we panic? Terenzio accidentally shoots Mathieu and home care nurse Laura (Babetida Sadjo) patches him up. Netflix
  • A passenger falls ill and dies. Netflix
  • Sylvie confronts Ayaz (Mehmet Kurtuluş) about the dead passenger. Netflix
  • Dominick was supposed to be on his way to Moscow for a life-saving operation. Netflix
  • Flight attendant Gabrielle (Astrid Whettnall) has concerns. Netflix
  • This is her unimpressed face. Netflix
  • Read More – Source [contf] [contfnew]


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